Velvet ropes, motion detectors, and glass boxes begone!
Anne‘s “Take One / Leave One” exhibit at the New York Museum of Arts & Design (MAD) allowed visitors to both contribute and bring home objects on display. Check out the full article about the event here, published today in The Atlantic.
Here’s a snapshot of items deemed museum-worthy by the public:
The curators hoped serious artists, designers, and crafts people, “who have been waiting to be collected by a museum,” would bring their artwork to MAD. But they also were excited by more random possibilities. “I really wished someone would have taken off their bra and left it there,” Quito says.
No bras were recorded in the log, but there are a few delightfully curious transactions among the 150 people who participated and who were asked to fill out a donation card with title, date, artist’s name (if known) and personal notes. Murray Moss, a well known design entrepreneur, left a vintage red star pin with a photo of the baby Lenin. Someone left a Chilean satirical newspaper with Barbie on the first page and took the donkey mask. A young boy left a pencil from the MET gift shop in exchange for a paper sculpture by a visiting artist at the MAD Museum. Another visitor swapped a Library card from Maryland for a urine test kit. Then there was a faulty iPod with “Superior Music” exchanged for a broken “10:15:37 cat o’clock” (a broken watch). One visitor wrote in the log: “Entry: I TOOK: ‘a look’ I LEFT: ‘happy.'”
By melanieon April 9, 2013in Studio Lifewith Comments Off on Deanna takes D.C…and all the donuts.
Just as birds fly north in the spring, our southern belle made the 1,100-mile journey from Louisiana to D.C. last week for much needed face time with the team. Packing a change of clothes and a voracious appetite only ultra-glazed donuts could satisfy, Deanna found not one, but two dozen deep-fried rings of warm, sugary goodness waiting for her.
Talk about DOA (diabetes on arrival).
Let’s roll that donut reel!
But her visit wasn’t all play—er, eat. After making sure we had our fair share (one for each of us, 18 for herself), Deanna met with various FHI 360 staff so they could put a face to “that lovely drawl on the phone.”
Web team unites! Jake and Deanna recapturing the moment.
No longer confined to her hallway-office at home, Deanna got a kick out of the studio’s extra square footage.
By deannaon January 14, 2013in Studio Lifewith Comments Off on King Cake fuels design
It’s that time of year again. The time when the grand ole king cake makes its way to the DesignLab-ers in DC.
Pause to salivate.
The tradition extends back to January 2007. Deanna’s mother so generously shipped the cake from her hometown of Baton Rouge so that our team could gain inspiration, if you will, from the savory sweetness of this sinful donut cake.
As seen below, our honorary Design Lab member, Mia, models her slice and magical baby-finding finding skills (for the third time). #3-peat
Naturally, there is a reason why this cake is critical to our design work and environment. So here goes. It promotes happiness and full bellies, which supposedly can trigger high levels of right-brain creative activity.
Who are we kidding? We do it because it is delicious and a great reason to congregate even for a few minutes.
Happy Mardi Gras, fellow designers and creative thinkers.
2012 was a year for the record books. 300++ projects, 12 designers, 1 new outpost in Bangkok, 2 office moves, 80 APHA posters in 4 weeks, a 400+ page volume of charts, 5 conferences, 4 pregnancies, 2 babies (so far) — it was a productive and fertile year.
Happy Birthday, Brian! A sweet pairing of chocolate cake and hand-crafted paper flowers.
Stef back at the UN.
Brian tests the new video cam.
Carly weaves daisies into a delightful message for Design Lab’s booth at the Global Leadership Meeting.
Everybody loved the booth and binders too.
Anne in FHI 360 orange with Liza at the GLM Closing event.
“Design for Good” is any form of design work that aspires to better someone’s life. To me, it is a distinct facet of the design practice, a specialization as discreet as branding or interactive design. Designers working in this field have expertise in the traditional aspects of graphic design — print, web, interactive — but will have one special power: empathy.
Aside our usual obsessions — fonts, paper, the smell of ink, kerning— we are also keenly interested in people, in history, in current events, in culture and care to know how our work is received and how we can do better next time. Our work supports, vivifies and amplifies programs. Change doesn’t happen when the brochures are delivered from the printer. Design is part of the process and not the end.
Design for Good is iterative. Inclusive rather than exclusive. We co-create. To be effective, our work must be timely and responsive, not just to a client deadline but say, to the urgency of a burgeoning epidemic. We are pragmatic as we are idealistic.
What we won’t be able to spend time on is the word “Good”. There are gradients to “good” perhaps enough to warrant its own Salon. At times, “Design for Good” can be political or critical. But at the heart of Design for Good is always a love for community, a cause and the other. Design for Good” is animated with a zeal for service. —AQ
How do we collaborate across timezones? Creatively.
This year, Design Lab branched out to the FHI 360 Asia Pacific Regional office in Thailand. We use Google hangouts, Skype calls, video messages, annotated PDFs, What’s App, Viber, Facebook pokes, etc. to stay in touch.
Irinn explaining a die-cut concept to Anne (with Kung behind the camera).
“Hello from +12 Hours into the Future” via Google Hangout: 9:30am EST — 9:30pm ICT (Bangkok time)